There’s adjustable jitter which can introduce short, random fluctuations to the resampling frequency and two quantisation methods to bring flavourful dynamic responses. The other controls the amount of aliasing above the resampling frequency. One removes all harmonic content above the cut-off to ensure that no aliasing appears in the audio. Beyond the familiar controls of bit resolution and sampling frequency they include two anti-aliasing filters. Bit crushing is a very common effect, you find it all over the place, but D16 insist that the Decimort 2 has a lot more to offer.
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